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The “Opéras - Ballets russes” collection, Yves Saint Laurent’s first fashion show at the Hôtel Inter-Continental, was a true spectacle. Saint Laurent was an admirer of the Ballets russes (founded by Sergei Diaghilev in the early twentieth century), Léon Bakst’s costumes, and Orientalist paintings.Admirateur de la compagnie des Ballets russes fondée par Serge de Diaghilev .
In 1977, Pierre Bergé acquired and renovated the Théâtre de l'Athénée. In .En 1966, Yves Saint Laurent et Pierre Bergé découvrent le Maroc qui devient .Dive into Yves Saint Laurent’s universe and discover aspects of his l. Each chronicle .With the Musée Yves Saint Laurent Paris and the Musée Yves Saint Laurent .
At the conservation workshop of the Musée Yves Saint Laurent Paris, open to the .Le Musée Yves Saint Laurent Paris expose l’œuvre du couturier, à travers un .Admirateur de la compagnie des Ballets russes fondée par Serge de Diaghilev au début du siècle, des costumes de Léon Bakst et des tableaux des peintres orientalistes, Yves Saint Laurent convoque simultanément la Russie des Tsars et celle de l’Opéra.
Long before Kin tapped into her heritage, Yves Saint Laurent, an outsider looking in, created his own belle Russe. His 1976 haute couture collection was an homage to Sergei Diaghilev's. Yves Saint Laurent’s 1976 Opéras—Ballets Russes collection. Photo: Penske Media/Getty Images Cox accompanied Saint Laurent to the Ballets Russes production that inspired the designer’s 1979 collection in homage to Picasso and Diaghilev.
yves saint russes ballet
The “Opéras - Ballets russes” collection, Yves Saint Laurent’s first fashion show at the Hôtel Inter-Continental, was a true spectacle. Saint Laurent was an admirer of the Ballets russes (founded by Sergei Diaghilev in the early twentieth century), Léon Bakst’s costumes, and Orientalist paintings.Admirateur de la compagnie des Ballets russes fondée par Serge de Diaghilev au début du siècle, des costumes de Léon Bakst et des tableaux des peintres orientalistes, Yves Saint Laurent convoque simultanément la Russie des Tsars et celle de l’Opéra.
Long before Kin tapped into her heritage, Yves Saint Laurent, an outsider looking in, created his own belle Russe. His 1976 haute couture collection was an homage to Sergei Diaghilev's.
Yves Saint Laurent’s 1976 Opéras—Ballets Russes collection. Photo: Penske Media/Getty Images
Cox accompanied Saint Laurent to the Ballets Russes production that inspired the designer’s 1979 collection in homage to Picasso and Diaghilev.
He called it his 'Russian Collection,' but his designs were Slavic only in their Oriental excess and opulence. Inspired by the Bakst costumes of the Ballets Russes, each ensemble appeared to be a repudiation of the informal, pared-down, and functional looks of the street.The first collection he presented there, the “Opéras - Ballets russes” Autumn-Winter 1976 collection, was a spectacular show that reintroduced opulence into fashion. Music was used for the first time, fashion shows having previously unfolded in silence. From Coco Chanel’s costumes for “Le Train Bleu” to a display of Yves Saint Laurent’s 1976 couture collection famously inspired by the Ballets Russes, the exhibition is as fascinating.
The influence of Bakst on his contemporary, the celebrated couturier Paul Poiret, was clear, but even as recently as 1976 Yves Saint Laurent’s Russian collection was a tribute to the Ballets Russes. The collection, titled Opéra – Ballets Russes, marked a moment when Saint Laurent’s designs changed direction, embracing bright colors and sumptuous fabrics, and reintroducing opulence as a major theme in his work. The collection was, as the name suggests, partly inspired by the dance and theatre pieces of Sergei Diaghilev, his costume . The “Opéras - Ballets russes” collection, Yves Saint Laurent’s first fashion show at the Hôtel Inter-Continental, was a true spectacle. Saint Laurent was an admirer of the Ballets russes (founded by Sergei Diaghilev in the early twentieth century), Léon Bakst’s costumes, and Orientalist paintings.
Admirateur de la compagnie des Ballets russes fondée par Serge de Diaghilev au début du siècle, des costumes de Léon Bakst et des tableaux des peintres orientalistes, Yves Saint Laurent convoque simultanément la Russie des Tsars et celle de l’Opéra. Long before Kin tapped into her heritage, Yves Saint Laurent, an outsider looking in, created his own belle Russe. His 1976 haute couture collection was an homage to Sergei Diaghilev's. Yves Saint Laurent’s 1976 Opéras—Ballets Russes collection. Photo: Penske Media/Getty Images
Cox accompanied Saint Laurent to the Ballets Russes production that inspired the designer’s 1979 collection in homage to Picasso and Diaghilev.He called it his 'Russian Collection,' but his designs were Slavic only in their Oriental excess and opulence. Inspired by the Bakst costumes of the Ballets Russes, each ensemble appeared to be a repudiation of the informal, pared-down, and functional looks of the street.The first collection he presented there, the “Opéras - Ballets russes” Autumn-Winter 1976 collection, was a spectacular show that reintroduced opulence into fashion. Music was used for the first time, fashion shows having previously unfolded in silence.
From Coco Chanel’s costumes for “Le Train Bleu” to a display of Yves Saint Laurent’s 1976 couture collection famously inspired by the Ballets Russes, the exhibition is as fascinating. The influence of Bakst on his contemporary, the celebrated couturier Paul Poiret, was clear, but even as recently as 1976 Yves Saint Laurent’s Russian collection was a tribute to the Ballets Russes.
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